Miles Davis - Wikipedia. Miles Davis. Davis photographed by Tom Palumbo in his New York City home, c. Background information. Moyer Instruments, Inc. Instantly find where to watch your favorite movies and TV shows. With WhereToWatch.com, you can discover when your favorite movie or TV show is playing, or if you can. Parent Directory!!!Daniela Mercury - Maimbe Danda.mp3 # Daniela Mercury - Como Vai Voc%EA.mp3 #--Milton Nascimento - Peixe Vivo.mp3.
Birth name. Miles Dewey Davis IIIBorn(1. May 2. 6, 1. 92. 6Alton, Illinois, USDied. September 2. 8, 1. Santa Monica, California, USGenres. Jazz. Occupation(s)Musicianbandleadercomposer. Instruments. Years active. Labels. Associated acts. Miles Davis Quintet, John Coltrane, Herbie Hancock, Cannonball Adderley, Bill Evans, Philly Joe Jones, Sonny Rollins, Paul Chambers, Red Garland, Dizzy Gillespie, Jimmy Heath, Sonny Stitt, Charlie Parker, Wayne Shorter, Conte Candoli, Ron Carter, Tony Williams, George Coleman, Sam Rivers, Hank Mobley, Fats Navarro, Freddie Webster, J. Johnson, Max Roach, Al Haig, Thelonious Monk, Clifford Brown, Curley Russell, Gil Evans, Gerry Mulligan, Duke Ellington, John Lewis, Kenny Clarke, Thad Jones, Ahmad Jamal, Art Blakey, Jimmy Cobb, Wynton Kelly, Dave Brubeck, Dave Holland. Websitemilesdavis. Notable instruments. Martin Committee. Miles Dewey Davis III (May 2. September 2. 8, 1. American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 2. Davis adopted a variety of musical directions in his five- decade career which kept him at the forefront of a number of major stylistic developments in jazz. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1. 95. Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1. Columbia Records and recorded the 1. Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music- influenced Sketches of Spain (1. Milestones (1. 95. Kind of Blue (1. 95. During the 1. 97. African rhythms, emerging electronic music technology, and an ever- changing line- up of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John Mc. Laughlin. This period, beginning with Davis' 1. In a Silent Way and concluding with the 1. Agharta, was the most controversial in his career, alienating and challenging many in jazz. Critics were generally unreceptive but the decade garnered the trumpeter his highest level of commercial recognition. He performed sold- out concerts worldwide while branching out into visual arts, film, and television work, before his death in 1. Louis, Illinois where Davis lived from 1. Miles Dewey Davis III was born on May 2. African- American family in Alton, Illinois, fifteen miles north of St. He had an older sister, Dorothy Mae (b. Vernon (b. His father, Miles Dewey Davis II of Arkansas, was a successful dental surgeon who earned three college degrees, and his mother Cleota Mae Davis (n. They owned a 2. 00- acre estate near Pine Bluff, Arkansas that housed a profitable pig farm where Davis and his siblings would ride horses, fish, and hunt. In 1. 92. 7, the family moved to East St. Louis, Illinois, living on the second floor of a commercial building in a predominantly white neighborhood behind a dental office. By 1. 94. 1, his parents divorced. From 1. 93. 2 to 1. Davis attended John Robinson Elementary School, an all- black institution, followed by Crispus Attucks School where he performed well in mathematics, music, and sports. As a youngster Davis developed his earliest appreciation for music, citing the the blues, big bands, and gospel music. In 1. 93. 5, Davis received his first trumpet as a gift from John Eubanks, a friend of his father, and later took weekly lessons with his father's patient, teacher and musician Elwood Buchanan. His mother objected the choice of instrument as she preferred her son took up the violin. Against the fashion of the time, Buchanan stressed the importance of playing without vibrato and encouraged him to adopt a more clear, mid- range tone; Davis claimed he would slap his knuckles every time he started using heavy vibrato. Davis would carry his clear signature tone throughout his career. He once remarked on its importance to him, saying, . Just right in the middle. If I can't get that sound I can't play anything. For his thirteenth birthday held that year, Davis' father bought his son a new trumpet, and Davis began to play in local bands, earning as much as $8. Around this time, Davis took additional trumpet lessons from Joseph Gustat, principal trumpeter of the St. Louis Symphony Orchestra. In 1. 94. 1, the 1. Davis began at East St. Louis Lincoln High School where he joined the school's marching band directed by Buchanan and entered music competitions. Davis claimed the contests he did not win was largely down to prejudice over his race, but cited such experiences to become a better musician. Davis proceeded to improve his understanding of music after a drummer he played with around this time suggested Davis play a passage from the previous night, yet Davis was unable to comprehend what he meant. I went and got everything, every book I could get to learn about theory. It was at Lincoln High where Davis met his first girlfriend, Irene Cawthorn. Davis had formed his own group by this time, performing in various local venues such as Elks Club and Huff's Beer Garden with hits such as . Davis also befriended trumpeter Clark Terry, who also suggested he play without vibrato and performed together in various capacities for several years. In 1. 94. 3, at Buchanan's recommendation and Cawthorn's persuasion, Davis filled a vacant spot in Eddie Randle's Rhumboogie Orchestra, also known as the Blue Devils, and eventually became its musical director which involved the scheduling of rehearsals and hiring newcomers. Davis later acknowledged his tenure as one of the most important of his career. During this time, Sonny Stitt tried to persuade him to join the Tiny Bradshaw band, then passing through town, but Davis' mother insisted that he finish his final year of high school before he could tour. And I didn't go with the band either. In January 1. 94. Davis finished his studies at East St. Louis Lincoln High School and graduated in absentia in June. The following month, Cawthorn gave birth to a daughter, Cheryl. In July 1. 94. 4, Billy Eckstine and his big band, which featured Dizzy Gillespie, Charlie Parker, and Art Blakey, visited St. Louis for a series of performances. They needed a stand- in after third trumpeter Buddy Anderson was too ill to attend. They invited Davis, who accepted and played with the group for two weeks at Club Riviera. The experience was a profound one on Davis, after which he . However, his mother wished for him to continue with his education and study the piano or violin at Fisk University with his sister, which Davis declined. New York City and the bebop years. Davis passed his audition and attended classes in music theory, piano and dictation, but soon lost focus and spent much of his time in the club scene and locating Parker, despite being advised against doing so by several people he met in his search, including Coleman Hawkins. The group included many of the future leaders of the bebop revolution such as Fats Navarro, Freddie Webster, and J. Established musicians including Thelonious Monk and Kenny Clarke were also regular participants. In December 1. 94. Davis reunited with Cawthorne and their daughter when they relocated to New York City, the three living in the same building as Parker who eventually became a room mate. In mid- 1. 94. 5, Davis failed to register for the year's autumn term of study at Juilliard and dropped out after three semesters as he wished to commit to jazz performance full time. His father advised his son to avoid sounding like everyone else and find his own style yet remained supportive and continued to send over money until Davis could earn enough on his own. Davis later criticized the school's classes for centering too much on the classical European and . Davis began playing professionally, performing in several 5. Street clubs with Hawkins and Eddie . Davis' first recording as leader came in 1. Miles Davis Sextet plus Earl Coleman and Ann Hathaway—one of the rare occasions when Davis is heard accompanying singers. On November 2. 6, Davis took part several recording sessions as part of Parker's group Reboppers that also involved Gillespie and Roach, displaying hints of the style he would become known for. During a take of Parker's signature song . In 1. 94. 6, Davis played in a big and small band led by Benny Carter in St. Louis and travels with the group for performances in California. During his time on the west coast, Davis performed with Parker who had also travelled there with Gillespie. During a stop in Los Angeles, Parker suffered from a nervous breakdown that landed him in hospital for several months, leaving Davis stranded. Davis secured a spot on Eckstine's California tour which eventually brought him back to New York City in late 1. Louis before reuniting with Davis in New York the following year. Following the break- up of Eckstine's band in early 1. Davis secured work by playing in a big band led by Gillespie and Illinois Jacquet, and joining a new quintet led by Parker in April that also included Roach. Together they performed live with Duke Jordan and Tommy Potter for much of the year, including several studio sessions. In one session that May, Davis penned the tune . Davis' first session as a leader followed in August 1. Miles Davis All Stars that included Parker, pianist John Lewis, and bassist Nelson Boyd; together they recorded . After touring Chicago and Detroit with Parker's quintet, Davis returned to New York City in March 1. Jazz at the Philharmonic tour which included a stop in St. Louis on April 3. Miles Davis Nonet and birth of the cool.
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